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Description
A work in progress. Please critique for ideas about where to go from here.
The greatest tragedy in this world is that everything changes.
Sometimes it is also the greatest hope.
Right now, it haunts me that "Nothing gold can stay." The small remaining part of me that believes some things are eternal wants to believe, too, that we can choose to remember those who have changed, grown distant from us, hurt us, or left us in death, in a way that highlights what about them we cherished and adored.
The greatest tragedy in this world is that everything changes.
Sometimes it is also the greatest hope.
Right now, it haunts me that "Nothing gold can stay." The small remaining part of me that believes some things are eternal wants to believe, too, that we can choose to remember those who have changed, grown distant from us, hurt us, or left us in death, in a way that highlights what about them we cherished and adored.
Image size
1418x1430px 3.26 MB
© 2010 - 2024 AmberPalette
Comments10
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This is very vivid, I love your color work, with green shadows on the female figure's skin and warmer looking colors on the man-arm (it looks like a man-hand and arm to me... but that may just be me) and child's skin except for the blue shadow directed towards her.
The yellow around the child's head looks like a halo almost sort of, but I'm not so sure about the yellow-ish towards the bottom of the picture. I'm not sure what to see in the yellow-brown at the bottom, but the shadow under her knee looks sort of like an evil-grinning-coyote that's pointing at how her head is bowed.
I like the reddish outlines for the figures, it keeps them in the painting much more than black outlines would I think...
that may just be me...
The yellow around the child's head looks like a halo almost sort of, but I'm not so sure about the yellow-ish towards the bottom of the picture. I'm not sure what to see in the yellow-brown at the bottom, but the shadow under her knee looks sort of like an evil-grinning-coyote that's pointing at how her head is bowed.
I like the reddish outlines for the figures, it keeps them in the painting much more than black outlines would I think...
that may just be me...